Breaking from the performance traditions of classical and jazz trumpet, Brody fuses his work with language, art and melody into his trumpet solos. His trumpet solo techniques often involve movement, utilising thee performance space, creating sounds, and drawing melodic inspiration from speech rather then traditional melodic ideas.
The rich experimental theater scene in Berlin lead him to the director, David Marton, who is well known for his music theater experiments. In the Marton ensemble Brody works as a performance artist, fusing trumpet improvisation with spoken word with acting. The group has enjoyed long stints at theaters such as MC93 House of Culture in Paris, the Schaubuehne and Volksbuehne in Berlin, the Chekhov International Theatre Festival in Moscow, and Bergtheater in Vienna. He gave voice-melody performances in various museums and galleries, included the Jewish Museum Berlin and Häusler Contemporary in Munich. In 2016 Brody was Artist in Residence for the Munich Kammerspiele Opera Department, where he played a singing roll on the trumpet for an experimental production of La Sonnambula.
On the Road (Munich Kammerspiele 2017)
Photo: Amber Vandenhoeck
On the Road (Munich Kammerspiele 2017)
Photo: Amber Vandenhoeck
On the Road (Munich Kammerspiele 2017)
Photo: Amber Vandenhoeck
Harmonia Caelestis (Burgtheater, Vienna 2009 )
Photo: Alissa Kolbusch
Das wohltemperierte Klavier (Schaubuehne, Berlin/Hause of Culture, Paris 2012)
Photo: Alissa Kolbusch
Premiere in Paris: 27.1.2012,
Regie: David Marton, Buehne: Alissa Kolbusch, Kostueme: Sarah Schittek, Musikalische Leitung: Jan Czajkowski, Dramaturgie: Florian Borchmeyer, Licht: Erich Schneider
v.l.:
Jelena Kuljic,
Marie Goyette,
Paul Brody,
Copyright (C) Thomas Aurin
Gleditschstr. 45, D-10781 Berlin
Tel.:+49 (0)30 2175 6205 Mobil.:+49 (0)170 2933679
Abdruck nur gegen Honorar zzgl. 7% MWSt. und Belegexemplar
Steuer Nr.: 11/18/213/52812, UID Nr.: DE 170 902 977
Commerzbank, BLZ: 810 80 000, Konto-Nr.: 316 030 000
SWIFT-BIC: DRES DE FF 810, IBAN: DE07 81080000 0316030000
Doppelgänger (Kammerspiele Stuttgart 2014)
Photo: Christian Friedländer
Doppelgänger (Kammerspiele Stuttgart 2014)
Photo: Christian Friedländer
Scottish Play Volksbuehne 2013)
Photo: Thomas Aurin
Harmonia Caelestis (Burgtheater, Vienna 2009 )
Photo: Alissa Kolbusch
Das wohltemperierte Klavier (Schaubuehne, Berlin/Hause of Culture, Paris 2012)
Photo: Alissa Kolbusch
Das wohltemperierte Klavier (Schaubuehne, Berlin/Hause of Culture, Paris 2012)
Photo: Alissa Kolbusch
Premiere in Paris: 27.1.2012,
Regie: David Marton, Buehne: Alissa Kolbusch, Kostueme: Sarah Schittek, Musikalische Leitung: Jan Czajkowski, Dramaturgie: Florian Borchmeyer, Licht: Erich Schneider
v.l.:
Jule Böwe,
Paul Brody,
Copyright (C) Thomas Aurin
Gleditschstr. 45, D-10781 Berlin
Tel.:+49 (0)30 2175 6205 Mobil.:+49 (0)170 2933679
Abdruck nur gegen Honorar zzgl. 7% MWSt. und Belegexemplar
Steuer Nr.: 11/18/213/52812, UID Nr.: DE 170 902 977
Commerzbank, BLZ: 810 80 000, Konto-Nr.: 316 030 000
SWIFT-BIC: DRES DE FF 810, IBAN: DE07 81080000 0316030000
On the Road (Munich Kammerspiele 2017)
Photo: Amber Vandenhoeck
On the Road (Munich Kammerspiele 2017)
Photo: Amber Vandenhoeck
Scottish Play Volksbuehne 2013)
Photo: Thomas Aurin
Deep Gold film by Julian Rosefeldt
Photo: Unkown
La Sonnambula (Munich Kammerspiele 1016)
Photo: Christian Friedländer
Scottish Play Volksbuehne, Berlin 2013)
Photo: Thomas Aurin
La Sonnambula (Munich Kammerspiele 1016)
Photo: Christian Friedländer
Doppelgänger (Kammerspiele Stuttgart 2014)
Photo: Christian Friedländer
Manifesto with Cate Blanchett (2015)
Screen Shot: Brody
La Sonnambula (Munich Kammerspiele 2016)
Screen Shot: Brody
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The Munich Kammerspiele, with director, Kevin Barz, is producing a theater piece based on the voices of the translators working at the Nurnberg Trials. Brody will compose music based on the voice melodies of selected archive recordings. Music will be used as a kind of translation into an abstract emotional language.
The David Marton group is a collective of musicians and actors who explore the intersection of music and theater. Currently the group has two productions at the Munich Kammerspiele,